Trainers and speakers at S3D CAMPUS are internationally renowned experts  :

Thierry Barbier

Alain Derobe

Alaric Hamacher

Bernard Mendiburu

Lionel Fages

Kommer Kleijn

Kasimir Lehto

Jeff Olm

Tommaso Vergallo

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Alaric Hamacher is stereographer and Director of Virtual Experience. Alaric Hamacher has an MA in Film Sciences from Paris VII and a degree in directing and producing from the TV and film school Munich (HFF München).
He was responsible for feature film co-productions at Advanced Media AG in the late 1990's, before setting up his own business Virtual Experience in 1999. This production company, which he jointly manages with his brother Jérôme Hamacher, is specialized on stereoscopic 3D productions. Cyberheidi 3D, 2107 - Quest for Sustainability and Delusion 3D are just some of their projects... The youngest production Level 3D is distributed in germany as preshow movie to Avatar. Alaric Hamacher has been teaching stereo 3D at german film schools and international conventions of digital cinema professionals.
He is also vice president of UP-3D the association of European 3D professionals.

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Bernard Mendiburu is a stereographer and digital cinema consultant working with feature animation studios in Los Angeles, where his credits includes Meet The Robinsons and Monster vs Aliens. He just published 3D Movie Making, Stereoscopic Digital Cinema from Script to Screen with focal Press.
His lectures and workshops on 3D cinema were selected by Laïka and CalArt's Experimental Animation department. In 2009, Bernard presented a paper on 3D Workflows at the SPIE Stereoscopic Display and Applications conference and at the NAB's Digital Cinema Summit. He gave the Paris' Dimension3 two days workshop on 3D Post Production. Bernard Mendiburu joined recently the 3D@Home Consortium's Advisory Committee on 3D Quality and was an active member of the SMPTE 3D Task Force.

Bernard Mendiburu collabore aux lettres de veille technologique de Insight Media et Veritas in Visus. Il a publié le livre « 3D Movie Making, Stereoscopic Digital Cinema from Script to Screen » chez Elsevier et travaille à un second ouvrage consacré au nouveau langage stéréoscopique dans le cinéma et la télévision en relief. Il est membre du comité d'experts du consortium « 3D at home » et des groupes du SMPTE travaillant sur les standards en production 3D.

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Kommer Kleijn SBC is a Director of Photography and stereographer specialized in visual effects and special formats, also active in image technology research.

He has shot and supervised visual effects for many special venue and large format movies and also has photographed many of those. Among them are 12 stereoscopic productions, one IMAX 3D.
He is a teacher in 3 Belgian film schools, is an SBC and EDCF board member, chairs the SMPTE 21DC Additional Frame Rates Ad Hoc group and participated in SMPTE DC28.40 stereoscopic.

He is a regular speaker on international image technology conferences and was recently awarded the "Bert Easey Technical Achievement Award" by the BSC for his determinition in the process of standardizing the 60 fps frame rate for Digital Cinema projection.

Site web: www.kommer.com

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Italian and Swiss citizen, Tommaso Vergallo lives in Paris with his family for several years.  He got a film director diploma from the Art School of Lausanne (film department Ecole des Beaux-Arts,DAVI). He made several short films and then specialized in digital postproduction. He has been customer advisor and digital transfer operator at Swiss Effects and has participated in the creation of a method of transferring video to film during 4 years. In January 2000 he was productions manager in the digital film lab Duboi and collaborates with the process Duboicolor, on some thirty feature films, including Amelie, by Jean-Pierre Jeunet, Brotherhood of Wolves by Christophe Gans, Asterix and Obelix, Mission Cleopatra by Alain Chabat, and also René by Alain Cavalier or 24 Hour Party People, by Michael Winterbottom or Ten by Abbas Kiarostami.
From 2003 to 2006 he was productions manager in the company Digimage and closely involved in the success of Mondovino by Jonathan Nossiter. He also worked on Malabar Princess by Gilles Legrand, La petite Lili by Claude Miller, Yes by Sally Potter and Dogora by Patrice Leconte.
After a short stay at Quinta Industries in 2007, he is actually the manager of the Digital Cinema Departement of Digimage Cinema on a brand new site dedicated to digital film postproduction and technology watch. Home by Yann Arthus Bertrand, Mic Macs à tire-larigot by Jean-Pierre Jeunet, The wild grass by Alain Resnais, The Beaches of Agnès, by Agnès Varda and Oceans by Jacques Perrin are his latest post productions supervised at Digimage Cinema.

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Producer and founder of CUBE, Lionel Fages discovered commercials and CGI in 1984. Starting out as production assistant at VIA/SOGITEC, he collaborated on the production of the earliest CGI commercials in France. In 1987he managed the commercial film department of Ex Machina.

Since 26 years he’s worked on over 150 commercial spots.
He was also very involved with major corporate and special event films (3D, Motion Rides…) and produced the 35 mm 3D film « Irruptions » for the new theme park Vulcania.

Many young CGI artists/animators (Pierre Coffin, Tanguy de Kermel, Pascal Vuong, Louis Clichy, Nicolas Deveaux, Rémi Chapotot…) directed their first films thanks to him and are now recognized as major talents by the profession.

He regularly participates on the juries of the best animation schools (Supinfocom, Ensad, Gobelins…) and scouts for new talent which is launched by CUBE, the young animation studio which he runs in Paris.

In 2007, CUBE produced a world premier : the 1st pilot for an animated series in 3D, Kaelou . The first public screening took place on Dimension 3 Festival and immediately after opened the Annecy animation film festival.

Also in 2007, CUBE participated in 2 new productions for Vulcania : The Waking of the Giants  in 3D and  Magma Explorer III  a 5 screens simulation film.

In 2008,  55 minutes of CGI animation was produced for Freej, a new major theme park in Dubai.

In 2009, CUBE produced an 4D motion ride for Futuroscope theme park: Ecodingo  (directed by Jerzy Kular and Jean-François Henry) and also an Imax 3D film directed by Pascal Vuong called Sea Rex.

For the 2010 Universal exhibition of Shangaï, Cube produced an exceptional film for the “Pavillon of Monaco” and the first episode of the fantastic cartoon series Kaelou will be diffused on Canal +.

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Cinematographer and 3-D filmmaker, Kasimir Lehto  has worked in feature films, commercials and music videos since 1998.

For the past 4 years, he has concentrated on 3-D fimmaking, focusing on the methods of how 3-D should be used in narrative storytelling.
He has collaborated as a research consultant and content creator on a research project that measures the experiental value of  3-D.

He has shot and co-produced number of 3-D short films, promotional films and the first Finnish 3-D commercial for cinema use.

He co-founded the company Stereoscape Ltd and currently works as a freelance 3-D D.P. and
filmmaker in Los Angeles.

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Stereographer Internationaly known, Alain Derobe has oriented his work towards S-3D images since 1992. He was initially Director of photography for cinema and advertising films from 1966 to 1990. Alain Derobe founded AFC (French association of directors of photography), he is now president of UP3D, a euopean stereographers' association.
He started to develop the systems he needed for stereoscopic shot and with Didier Bogard he installed a line which allows to install steoscopic units for a 4 metre-wide screen.
He was stereographer on "Safari3D", "Camargue", "Chartreux, "Irruption", "Héros De Nimes", "La R’volle", and the last production of Amak "Réveil Des Géants" as well as many corporate and event films.
Alain Derobe is trainers about 3D from many years.

He is also a stereo movies consultant as well on cartoons.

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